09_10_16 Featured Arkansas Landscape Photography–Sunset from Sam’s Throne
Taken with a Pentax K1 in three vertical segments of 4 exposures each, LR used for HDR conversion to 3 vertical segemnts, Stitched in Lightroom into single 3 part panorama, ISO 100, F11 Pentax 15-30mm Lens @ 17mm.
In the late summertime of September, the Arkansas skies can surprise you. Many times you will find a pure blue sky about 1 hour before sunset, only to see some light cloud cover roll right as the sun sets. On this evening, I was able to catch some of this at Sam’s Throne. I had hoped to have clear skies as I was going to stay for a while after dark and work the Milky Way with the Pentax Astrotracer feature, but the sunset was a added bonus for sure.
Sam’s Throne is one of the premier climbing spots in Arkansas due to the bluffs that run for over 1 mile. The rock is a type of sand stone and and during the sunset will take on an orange color. The rocks are also covered with a bright orange lichen, one that I have really only found in this part of Arkansas. So at the times of bright and intense light, the rock of the bluffs can really stand out. I like to work from a spot where you can catch both the true throne (the smaller peak in the center of the image) and pick up the bluff line. During the late summertime the sun will set just off the bluff through the trees and can add a wonderful effect as it will accent the pines at the top of the bluff line.
This photograph, is quite a composition as it was taken in 12 frames, 4 from each station in a short panorama. I then blended each segment with Lightroom’s HDR tool into a 3 dng files, that were then combined into a 3 part panorama. This allowed me to capture both the brightest highlights in the shot and keep the noise out of my shadows. The green of the trees was just perfect on this evening, just a bit of yellow starting to show up in the tops. There were a few trees already starting to go into a full color display, but these were more towards the top of the bluff.
You can pick any of hundreds of spots to work at Sam’s. In this shot, you can see on the left side the same bluff line as it has worked around the hillside. I sometimes like to work from that spot also as you can still capture the sunset and you have a different perspective of Sam’s.
It takes about 2.5 hours to get to this part of Arkansas from Little Rock, and the drive north from Russellville is well worth it, especially in the Spring and Fall when the trees take on very unique colors.
08/22/16 Featured Arkansas Landscape Photography–The washing machine on the Cossatot River Southwest Arkansas
Taken with a Canon 5D MKII and 24mm TS-E lens, with a CL-PL and ND 0.9 filter installed, exposure time approximately 1.5 seconds.
You can find some excellent photographic opportunities on the Cossatot River, along with some of the best Arkansas whitewater. Go down there anytime the river is running over 500 cfs (cubic feet per second) and you can expect to see a lot of kayakers running the falls.
I like to hike the 6 falls when there is about 100 to 400 cfs max running the river. This allows you to make easy crossings and you can still get down close enough to the river to get some great angles. The river will run muddy right after a rain storm due to the massive amount of timber clear cutting in the area, so plan on heading down a day or so after a big rain.
You can easily hike down the entire left side (left side facing downstream) and there are 6 separate ledges which the river cuts through. Each has a unique rapid and name:
Cossatosser, Eyeopener, BMF, The Washing Machine, Whiplash, and Shoulder bone.
If you make it down there, remember that the sun will move across the river from left to right so the some of the best photograph will be early in the morning. The falls run due south. There are a ton of huge rocks that line the river and each of them will allow you a spot to setup for some great photos. The washing machine, featured in this photo has some of the best angles up on top of the ledge, but you need to cross over right above this small rapid. If the river is running too high, this can easily become a hazard so be careful. All the rocks are covered with slim moss and will be slick.
The rock is sandstone or something close and in the sun will take on a wonderful red-orange hue so try to make it on nice sunny day.
08/21/16 Featured Arkansas Landscape Photography–Storm Clouds over Buffalo Point, Buffalo National River Arkansas
Taken with a Phase One IQ100 and Phase One XF/35LS lens, at ISO 100, F12 for 1/40 of a second on tripod, single exposure.
This was taken back in early August 2016 on the Buffalo River in Northwest Arkansas. This part of the river is known as Buffalo Point, and is one of the more popular spots on the river. It features one of the larger campgrounds on the Buffalo along with hundreds of miles of hiking trails. Within 9 miles of Buffalo Point, you can driver over to Rush Arkansas which is an old mining town which dates back to around 1917. There is not much left standing at Rush, but it still offers some nice hiking.
This image shows just how fast conditions can change. I walked down to the river before sunrise. This particular bluff is on the east side of the river, thus will not get any sunlight until mid day. It’s a great spot to catch a sunset if the clouds lineup, but you also can expect to find hundreds of people wandering around the beach which just add confusion to both the scene and water. On this morning I was hoping to catch the area to myself, and for about a magic 40 minutes I had just that. There was almost no wind blowing, so I also was able to get a very nice reflection of the bluff. This bluff is about 80 feet tall and the face about 35 feet or so and it’s one of the classic Ozark bluffs made 100% from limestone so you can expect to get some interesting color from the rock.
I worked the area up and downstream, but this spot was the best as a early morning storm rolled in. When I first arrived there were no clouds in the sky at all just a bit of river fog, but within 30 minutes the top of an old thunderhead came over the river and really added to the shot. The heat and humidity were intense but the photographic opportunities were excellent.
This is single exposure from an IQ100 Phase One digital back and I have to say that the overall dynamic range of this back is impressive. The ability to finally cover a shot with just one exposure, knowing that you have room to work up shadows without a bracketing series of exposures is a great feature and long overdue from Phase One.
08/20/16 Featured Arkansas Photography–Early morning at Buffalo Point, Buffalo National River
Taken with a Phase One IQ100 and 35LS lens, no filters @ ISO 100 for 1/40th of a second F12 and Phase One XF.
While on a trip to the lower Buffalo River, I was able to spend the night at Buffalo Point Campground. This is the first campground that was built on the Buffalo, and dates back to the WPA and CCC days of the late 1930’s in Arkansas. Here you are pretty low down on the river as there is only about 20 or so miles left before the river runs into the White River. Buffalo Point is a very popular spot on the river as it has an excellent campground, and there is a great swimming hole below the large bluff on the far side of the river. From here you can take a quick float down to Rush which is about 8 miles or do down river. It’s a great float to take in the fall to enjoy the fall colors as most often there will be enough water for floating year round.
I was hoping to catch the early morning light burning off the fog but there was only a small amount of fog. However there was a large cloud bank moving in from the west and sun managed to pop the lower clouds along with the fog rising up towards the top of the bluff. I had the place to myself, which on this river is a rare event so I was able to have almost 45 minutes before the first floaters started to come down from Hwy 14 and break up the great reflection on the river.
The Phase One XF and IQ100 worked together very well on this occasion. I was using a tripod due to the slower exposure times and the fact that the 35LS lens is so heavy. The camera controls on the back of the IQ100 LCD made working with this scene very easy. I ended up shooting several manual brackets but due to the impressive dynamic range of the IQ100 sensor, I was able to create this image from one exposure. The 35LS lens performed quite well, giving me excellent details throughout the image.
08/08/16 Featured Arkansas Landscape Photography–Milky Way over Buffalo Point, Buffalo National River
Taken with a Pentax K1 and 15-30mm lens @ 15mm and F 3.2 ISO 3200 for 2 minutes using the Pentax Astrotracer function in camera.
This was my first test for night photography with the Pentax K1, and overall I was pleased with the results from the Astrotracer feature in camera. This photograph is a combo from a 2 minute Astrotracer shot for the MilkyWay, and several different shots for the foreground at various times. I used a small lantern down by the bluff to add some local illumination.
Chris Kennedy and I worked for about 2 hours, starting with a very clear night sky and temperatures around 89 degrees with 100% humidity. 2 hours later the temperature was about the same, so I was sweating just standing around waiting on the camera. But there was little to no wind so I was able to pull a nice reflection of the bluff on the river and if there had been a bit more water or a better angle by me, I might have gotten a Milky Way reflection.
Buffalo Point is one of the more popular spots on the Buffalo River, and the only campground with full electric hookups, so it will always be crowded in the summer months. You can either reserve a campground in the lower camping loops or you can try to get a spot in loop A, where it is always first come first serve, and loop A is the original WPA worked sites. I hope to get back to work this place in fall, both for the Milky Way and later on for Star trails. Star Trails will be a bit more difficult due to the location of the moon and due north.
Paul Caldwell
06/18/16 Featured Arkansas Landscape Photography–Nighttime skies over Falling Water Creek
- At June 18, 2016
- By paul
- In Featured Arkansas Photography
- 0
Taken with a Nikon D750, ISO 3200, 15 seconds with a Nikon 14-24 lens at 14mm F 2.8 for main night sky and a series of shorter exposures to blend in the lantern and water.
Working with the night sky can be easy and hard and on this night it was a combination of both extremes. I was working with Chris Kennedy at Falling Water Falls in the Arkansas Ozarks. Falling Water Falls is one of the more known spots and very often has a lot of folks either swimming or just hanging around. But at midnight, I have yet to run into anyone (at least human). I have thought about this spot many times for either star trail work or the Milky way and have successfully taken many star trail shots here, but have never worked the Milky Way. The conditions for the best Milky Way shooting are a moonless night or as close to it as you can get. On this night Chris and I were working with a very small amount of moon less than 16% and we both hoped that this amount of light would not effect the Milky Way’s luminace, but we were wrong. As soon as the last of the sunlight was gone, we could quickly see that there was quite a bit of light being provided by the 16% moon, which was setting directly behind us. On this night, June 8th, the Milky Way was due south and very faint at first. This was as strange night as there was too much moonlight to really see the Milky Way but the stars were amazingly bright. Also this small amount of moonlight did not provide very much light to the falls and surrounding area, so we quickly fired up a lantern.
The night was very muggy and dead calm. Normally I want dead calm, but as soon as I fired up the lantern every bug in the area made a bee line for the light and for the rest of the night we were covered in bugs. There were also a lot of lightening bugs and they added a strange effect to a lot of the star stacks. We kept looking for the Milky Way to the southwest as both of our star tracer apps were pointing us that direction but we could not see it. After working for about 1 hour I happened up to the top of the falls and for the first time could really see that the Milky Way was off to the southwest and very low on the horizon. Strange!, but still possible to shoot.
We quickly left out spot on the far side of the falls. We had set up here as it was the only only place to really get a clear view of the sky below the falls. Once on top on the large ledge that creates Falling Water Falls, we could clearly see the Milky Way just over the tree line. The moon was so low in the sky now that it was not providing any illumination at all, so Chris walked out on the ledge and held the lantern. It really made the shot in that the lantern provided just enough light to the immediate parts of the trees and gave a very nice fade out. The trick was holding the lantern totally steady for the 17 seconds required to shoot the sky. We actually both tried this for each others shots and it came out very nicely. I have left one piece of lens flare in this shot as it’s not really hurting the shot. The 14-24 will flare always, when given any chance. This will be an easy one to take out later.
I used the Nikon D750 for this shot and I was very impressed! The ambient temperature was around 70 degrees F and the relative humidity had to be 100%. I shot the entire sequence at ISO 3200 with the 14-24 wide open at F2.8. The longest exposure I used was 20 seconds and there was just a bit of trailing on the far sides which I did take out with a custom brush in Photoshop. At 20 seconds I was just able to get enough of the unique color of the Milky Way, however the rest of the frame was totally blown out due to the lantern. So I then shot a series of short frames the shortest exposure @ 6 seconds and then combined various elements from 3 different shots to get the final work. There was no wind blowing or very little most times so the leaves are not blurred and can add a nice effect. The lantern added a very warm tone to the trees and water so I also tweaked that back to a more neutral tone.
Overall I am pretty happy with this attempt. If there had been much more water coming over the falls, then all the trees below the falls and on the side would have been moving due to the force of the water. The lantern captured the nice green color of the water which is common to all Arkansas streams this time of year. For the Milky Way, I spent the most amount of time as it was just barely showing so I used several different adjustment brushes in Lightroom to help bring out the colors and different tones common with the nightsky. The stars were very bright this night and they add a very nice contrast to the night sky above the Milky way.
05/25/16 Six Finger Falls on Falling Water Creek–Featured Arkansas Landscape Photography
- At May 26, 2016
- By paul
- In Featured Arkansas Photography
- 0
Taken in two frames with a Phase One IQ100 and Phase One 35mm LS lens, raw files developed in Capture One, panorama stitching in Lightroom.
We had driven up to 6 finger falls to attempt a night shoot, which did not work out due to the clouds that rolled in, however during the sunset, the light did allow for a wonderful series of photographs. I love to get down low on the creek, below the falls and attempt to grab some short pans, as the normal medium format of 4:3 does not allow for very much to work with. I am not a big fan of cropping out the center of a shot to get to a pano, as you loose so much image in the process.
Normally, I would have used my rail to get a nodal solution, but I had forgotten it. Using the Arca D4 geared head, it was easy enough to get level for each shot, then go back to Lightroom to let it work it’s magic on the panorama. Lightroom with the new panorama feature does a great job on single row stitching and now they have added a feature called boundary warp, which really does a great job. In the past, I had always used software like Ptgui or Kolor’s panorama software, to get a cylindrical solution, as I am panning with a wide lens, (the 35mm in medium format is equivalent to about 22mm with a 35mm camera), still not that wide. The 35mm LS has a pretty good hyper focal range by F11 and I took this at F14. Due to the subject range and distance, I was not worried about losing details to diffraction.
For these shots, I used both a circular polarizer and a Neutral Density filter. The polarizer was from B+W and the ND filter from HiTech, (their new Firecrest line). This allowed exposure times of around 1 sec, at an ISO of 50. There was little to no wind blowing so I was able to get away with just two exposures.
The addition of the boundary warp in Lightroom has really made this type of photography more fun and much quicker to get to a solution.
05/05/16 Featured Arkansas Landscape Photography–Springtime sunset over Pinnacle Mountain
- At May 05, 2016
- By paul
- In Featured Arkansas Photography
- 0
Taken with a Nikon D800e, Nikon 14-24 @ 14mm F 8, ISO 100, exposure bracketed in 3 frames and worked up in Lightroom with Topaz Clarity
The evening I took this, I have hoped for a bit more cloud cover, but the spring colors were out in full so I went ahead and worked up the shot. This was taken from one of my all time favorite spots over looking Pinnacle mountain. Here you are looking due west, so depending on the time of year, you can sometimes catch the sun setting right on top of Pinnacle. As I recall the best times for this are in late March and September, but it’s been a long time since I went after that shot.
Even with Nikon I went ahead and bracketed this shot, I feel many times that in protecting the shadows, I will blow out the highlights and they will never be recoverable. I worked this shot up once before a couple of years ago, but never got it where I liked it. Now with the HDR feature within Lightroom, I went back to the raw files and worked them up again. This time I got much better results and then worked on the file just a bit in Topaz Clarity. I am not sure why the sky went black at the top, but that is just how it worked out, I kinda of like it!
The HDR feature in LR has it’s problems, but most of the time I can do what I want and get the effects I am looking for so much easier than any other HDR tool I have ever used.
The spring colors in Arkansas just looked great on this evening so it all came together for me.
Featured Arkansas Landscape Photography–October sunrise on Mt Magazine
- At March 25, 2016
- By paul
- In Featured Arkansas Photography
- 0
PLEASE NOTE: All of the photography of this website is the property of www.photosofarkansas.com and is copy right protected. Do not copy any of the images on this site to paste on Facebook, Pintrest, or any other website without the permission of Paul Caldwell. Years of time have gone into capturing these photographs, please respect that. I do not take copy right infringement lightly. If you have a need to display any of my work on your site ASK me before you Copy & Paste.
Taken with a Nikon D810 and 14-24 Lens @ 14mm and F 5.6 ISO 250 exposure bracketed in 3 frames
On Mt Magazine, the view in late October back to the east can provide some amazing sunrises. The sun will rise right out in the center of the frame and when you have clouds the light can be fantastic. In this shot, I was on the 3rd floor of the lodge, but you can work from any floor. All the rooms on the lodge open out to the back side and have a southward facing view. Mt Magazine is the “border” of the end of the Ozark mountains, as all the mountains to the south are in the Ouachita Mountains. So you get a excellent view of the beginning of the Ouachita chain that runs from here to the southwest corner of Arkansas. In the view looking back to the east, you can see Flatside Pinnacle way off in the distance also. Flatside is 1,500 feet tall and is a great photographic area also.
Later in the spring and summer the sun will move back to the left and will rise out of view, so the best times to catch a sunrise, is October through early February. In 2015, the fall colors in Arkansas sucked, yes, they were that back. Mt Magazine tends to have a pretty good display even in the years like 2015 and I guess this is due to micro climate that Mt Magazine has, being 2,700 feet tall. But what made this shot were the clouds that came across the sky right as the sun came up. The sun is in the dead center of this shot, but is filtered by the band of clouds that are right on the horizon, but these same clouds allowed the light to reflect upwards and just popped the clouds towards the top of the frame.
I used ISO 250 on this shot as there was considerable wind blowing I wanted to start my exposure stack with a higher shutter speed. The Nikon D810 does a good job here, not as well as it would have at base ISO of 64, but I was still able to stop the motion of the trees and get the shot. The camera was mounted to tripod so alignment was not an issue. I used the HDR feature of Adobe Lightroom to merge the 3 exposures and Lightroom did a very good job on this shot. In this shot you can see the rock bluffs of Mt Magazine and then one row of the cabins that can be rented. There is really no way to get this shot without also getting the cabins in the view, so I just include them. Off in the distance you can see a couple of the rolling ridges that create the Ouachita mountains.
02/25/16 Featured Arkansas Landscape Photography–Sunset Falls on Mt. Magazine aka Chris Kennedy Falls
PLEASE NOTE: All of the photography of this website is the property of www.photosofarkansas.com and is copy right protected. Do not copy any of the images on this site to paste on Facebook, Pintrest, or any other website without the permission of Paul Caldwell. Years of time have gone into capturing these photographs, please respect that. I do not take copy right infringement lightly. If you have a need to display any of my work on your site ASK me before you Copy & Paste.
Taken with an Nikon D810 & 14-24 lens @ 14mm, F11 ISO 64 through 400 in a series of bracketed exposures, combined into a single photograph in Lightroom.
In Yosemite National Park, there is a famous spot where during the month of February you can catch the setting sun illuminating a slender waterfall. Once the angle of the sun moves past a certain point the light falls beyond the waterfall. The problem is there tends to be over 1000 people lined up to get the same shot, so it’s really become a common shot. Still a thrill to get, but 1000’s of copies floating around the internet and in various galleries.
By pure chance, one of my friends, Chris Kennedy found this place on Mt. Magazine. I am sure this creek has a name, but I felt it fair to give Chris title. I have seen thousands of waterfall shots taken in Arkansas, but I have never seen one that features the setting sun, both in the shot and illuminating the waterfall. I knew of a different spot a bit further down on Highway 9 and had mentioned this to Chris to check out. During that trip, he found a second series of waterfalls, just up the highway, and while he was photographing them, he realized that it was possible to catch the sunset on the waterfall. Chris sent me a shot the next day and I was transfixed! Chris mentioned to me in passing that the trip to the base of this waterfall was about like the hike down Big Devil’s creek from Hill Cemetery, a hike I had made many times, so I was not too worried about it. I had a lot to learn.
Highway 9 heads up the south side of Mt. Magazine out of Havana Arkansas. On the way up you will cross several small creeks that really just runoff from the summit of the mountain. The largest creek in the area Shoal, starts up on the other side of Magazine and runs to the north. As you wind up Hwy 9, you will come to a spot where two small creeks cross the highway and then come together. This spot has obviously been photographed many times before as there is a worn down trail to a vantage point. This creek now bounces down a very steep gorge over many more waterfalls, and disappears out of sight headed south. While walking along the highway, Chris spotted a higher waterfall, much further down the creek, and headed down the hillside to get a better view and in the process discovered this wonderful view.
The waterfall, is actually in 3 parts and in this photograph, you are viewing only the top part of the waterfall, which is also the highest single point. It’s about 20 to 25 feet tall from the very base. The creek then winds around the shale bluff and makes two more nice drops before emptying into a nice pool. The sun in January, is at just the right angle to shine on the base of the falls, providing a beautiful shot. Chris told me that you only have about 10 minutes to catch the light before the best part of it moves away from the falls.
I headed up to this spot with Dr. Todd Smith, (and will tell more of that story on my blog), and we were both able to get to the base of the falls just in time to catch this shot.
A few points of consideration:
- This waterfall has one of the most dangerous approaches I have ever attempted in Arkansas in over 40 year of hiking this state. You are hiking down a pitch of at least 55 degrees or more at times and it’s all loose rock
- About 1/2 of the way down you will hit a band of large loose rock that is full of pitfalls and places to break your ankle, there is an old crashed car laying in this part of the decent. This is a steep enough spot that if you lean too far backwards, you will fall.
- The last 20 feet to the base of the waterfall is along a 55 degree pitch, where if you slip, you will be headed straight down to the bottom 10 feet below. The area is just a muddy hillside and very slick
- When you are photographing the waterfall, you need an extremely wide angle lens, and a full frame sensor, (no APS-C cameras) if you want to get both the full waterfall and the setting sun. I used a 14mm lens
- Make sure to pack a series of filter and a tripod as this shot has to be bracketed.
- The trees above the waterfall are moving all the time due to the force of the water, so plan on shooting at least one frame at a faster ISO and shutter speed to stop the motion
- The hike out, well, lets just say it’s not for the faint of heart. It’s ten times worse than the hike down as the entire hillside is just loose rock, so you may climb 3 feet just to slide back 1.5 feet. The use of a rope on the last 50 feet would be strongly advised and something I plan to bring the next time I attempt this shot.
- You can try to come at the falls from a little bit further down the highway, but trust me the going is not any easier as the forest floor is just a bunch of broken rock and it make for very difficult footing.
- It’s very apparent that some blasting was done for the Highway above here and the rock just all fell away down the hillside and is very loose, footing is very tricky.
Overall this has to be one of the more unique places I have ever worked in Arkansas and have been to many. I would not attempt this hike alone, as there is just too much a risk, and I was glad to have Todd and Chris with me both times I headed down to the falls. This hike will give you just a bit more appreciation as to just how high Mt Magazine is and steep. The result is well worth the hike.
Paul Caldwell